Issue link: https://iconnect007.uberflip.com/i/1539283
8 DESIGN007 MAGAZINE I SEPTEMBER 2025 F E AT U R E I N T E RV I E W by A n d y S h a u g h n es sy, I - C o n n e ct 0 07 O ver the years, Kris Moyer has taught a variety of advanced PCB design classes, both online IPC courses and in-person classes at California State University-Sacramento, where he earned his degrees in electrical engineering. Much of his advanced curriculum focuses on signal integrity, so we asked Kris to discuss the trends he's seeing in signal integrity today, the SI challenges facing PCB designers, and his go-to techniques for controlling or completely eliminating SI problems. Andy Shaughnessy: Kris, your advanced design classes focus quite a bit on signal integrity. What SI issues are giving your students the most trouble today? Kris Moyer: We actually cover signal integrity in all the IPC design courses except Introduction to PCB Design 1. Several SI issues come up in the classes fairly often. First is the problem of reflections and the associated overshoot and undershoot caused by impedance discontinuity in the transmission line design. The other issue that comes up quite frequently is how to design the power distribution system, including the selection of the decoupling capacitors to minimize the ground bounce/VCC bounce that happens during the switching events of modern digital systems. Silicon geometries are likely to continue to keep shrinking. What effects do these shrinking fea- tures have on the PCB designer's job? In my Professional Development course at APEX EXPO, I discuss that as silicon geometries of the devices continue to shrink, the rise/fall time of the digital signals will continue to get faster (decrease in time). This, in turn, will cause the frequency content in the square wave to increase. So, instead of the traditional 10–15 harmonics of the funda- mental frequency we think of for traditional square waves, with these faster rise/fall times, we are now seeing harmonics of 50, 100, 200, or more of the fundamental frequency being necessary to create the sharp edge of the faster rise/fall times. Another way to look at this: If your signal has these edge rates (rise/fall times), then your signal has these harmonics and therefore greater frequency content, regardless of what your